Las óleos de todo MARIESCHI, Michele


ID Image  Painting (From A to Z)       Details 
43265  
MARIESCHI, Michele, Buildings and Figures Near a River with Shipping
 
 Buildings and Figures Near a River with Shipping   mk170 1735-1743 Oil on canvas 60.7x91.8cm
8073  
MARIESCHI, Michele, Imaginative View with Obelisk  s
 
 Imaginative View with Obelisk s   c. 1735 Oil on canvas, 55 x 82 cm Gallerie dell'Accademia, Venice
8068  
MARIESCHI, Michele, The Grand Canal at San Geremia (detail) sg
 
 The Grand Canal at San Geremia (detail) sg   c. 1740 Oil on canvas, 54 x 82 cm Private collection
63054  
MARIESCHI, Michele, The Grand Canal at San Geremia - Oil on canvas
 
 The Grand Canal at San Geremia - Oil on canvas   54 x 82 cm Private collection Artist: MARIESCHI, Michele Painting Title: The Grand Canal at San Geremia , 1701-1750 Painting Style: Italian , , landscape
8067  
MARIESCHI, Michele, The Grand Canal at San Geremia sg
 
 The Grand Canal at San Geremia sg   Oil on canvas, 54 x 82 cm Private collection
8071  
MARIESCHI, Michele, The Grand Canal near the Salute sg
 
 The Grand Canal near the Salute sg   1733-35 Oil on canvas, 125 x 213 cm Mus??e du Louvre, Paris
8066  
MARIESCHI, Michele, The Grand Canal with the Fishmarket (detail) sgh
 
 The Grand Canal with the Fishmarket (detail) sgh   c. 1740 Oil on canvas Private collection
8065  
MARIESCHI, Michele, The Grand Canal with the Fishmarket sg
 
 The Grand Canal with the Fishmarket sg   c. 1740 Oil on canvas, 55 x 82 cm Private collection
87831  
MARIESCHI, Michele, The Rialto Bridge from the Riva del Vin
 
 The Rialto Bridge from the Riva del Vin   1740(1740) Medium Oil on canvas transferred from wood cyf
97330  
MARIESCHI, Michele, The Rialto Bridge from the Riva del Vin
 
 The Rialto Bridge from the Riva del Vin   circa 1740(1740) Medium Oil on canvas transferred from wood cyf
8069  
MARIESCHI, Michele, The Rialto Bridge from the Riva del Vin sg
 
 The Rialto Bridge from the Riva del Vin sg   c. 1740 Oil on canvas transferred from wood, 130 x 195,5 cm The Hermitage, St. Petersburg
8070  
MARIESCHI, Michele, The Rialto Bridge in Venice (detail) ag
 
 The Rialto Bridge in Venice (detail) ag   c. 1740 Oil on canvas transferred from wood The Hermitage, St. Petersburg
69127  
MARIESCHI, Michele, trapphuset i ett renassanspalats
 
 trapphuset i ett renassanspalats   olja på duk 36x55 se
8072  
MARIESCHI, Michele, View of the Basilica della Salute (detail) r
 
 View of the Basilica della Salute (detail) r   1733-35 Oil on canvas Mus??e du Louvre, Paris
8064  
MARIESCHI, Michele, View of the Rio di Cannareggio gs
 
 View of the Rio di Cannareggio gs   c. 1740 Oil on canvas, 52 x 85 cm Private collection

MARIESCHI, Michele
Italian Painter, 1710-1743 Italian painter and engraver. His first biographers, Orlandi and Guarienti (1753), stated that Marieschi worked in Germany early in his career and then returned to Venice, where he established himself as a painter of 'beautiful views of the Grand Canal, and of churches and palaces'. Yet there is no other evidence for this journey and Marieschi's early training remains problematic. It seems likely that he began his career as a stage designer: his first recorded activity, in 1731, was the preparation, on behalf of the impresario Francesco Tasso ( fl 1725-c. 1740), of the setting for the Venetian celebration of Carnival Thursday in the Piazzetta. He then, influenced by Marco Ricci and Luca Carlevaris, began to paint capriccios and vedute. His early capriccios, such as the pair Capriccio with Classical Ruins and Bridge and Capriccio with Roman Arch and Encampment (mid-1730s; Naples, Mus. Civ. Gaetano Filangieri), are indebted to Ricci, although they lack his solemnity and magnificence. Marieschi's blend of medieval and Classical ruins in a serene Venetian landscape is more picturesque and romantic. Marieschi began to paint vedute having been encouraged by Canaletto's great success with the genre; examples such as the S Maria della Salute (1733-5; Paris, Louvre), the Piazzetta dei Leoni and the Grand Canal at Ca' Pesaro (1734-5; both Munich, Alte Pin.) are distinguished from Canaletto's work by their exaggerated perspective, more atmospheric colour and the spirited handling of the small figures. Two capriccios, the Town on a River with Rapids (London, N.G.) and the Town on a River with Shipping (London, N.G.;.), both charmingly picturesque scenes with watermills and crumbling towers, date from the mid-1730s. Marieschi began to etch in the 1730s,



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